Message you I Am Looking For A Horney Woman

Robin said, "This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife.

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There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen.

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Then in the last ten minutes something will spark. Barry recalled, "In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row.

That was it. What would be going through their mind?

Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message.

There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense.

Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on".

This track was not recorded during the Idea sessions, which had concluded on 25 June with the recording mrssage " I Started a Joke ". The song we wrote together, all three of us.

I think that night, I know for a fact, we didn't sing the choruses in harmony. Robert called us back to the studio at 11 o'clock at night and said, 'I want the choruses in harmony, I don't want them in just melody.

I want three-part harmony choruses. Everyone drove back to the studio, and that's what we did.

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He would pick up on all the things that McCartney would [do]. Maurice was very good on different instruments, you know. Good lead guitarist, good bass player, good keyboard player. He was versatile. He loved playing bass more than anything else, I think, at that time. In the UK, the song was released as a single only. Both songs appeared on CD editions of the album.

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The song was sent to Atlantic Records with " I Laugh in Your Face ", so it message be reasonable to assume that the latter was the intended B-side. However, it was dropped in favour of " Kitty Can ". As to the speed, Bill Inglot said in that the mix he made for the Tales from the Brothers Gibb box in is at the correct you tape speed. This speed is intermediate between the mono and stereo mixes released in The correct speed can be achieved by playing the mono single mix at The first mix to appear was the mono mix for the single, followed messabe by a stereo mix that appeared on North American copies of the Idea album.

The two sound very different. For most of the song the album mix has percussion effects and string overdubs not heard or barely heard in the single mix. The slower album mix is shorter because it fades out much sooner, 4 seconds sooner at meesage speed given, or 11 seconds sooner at corrected speed.

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During preparation of The Studio Albums box set, another mix from was discovered, a mono mix that sounds like the stereo mix. Since the North American Idea LP was released only in stereo, this companion mono mix was never released. It plays faster mfssage the stereo mix, but that is true of all the mono mixes for Idea.

An Italian version of the song, called Pensiero d'amore Thought of lovewas published by Welsh singer Mal Ryder in